The World of NOW, gets bigger and bigger taking in numbered volumes of Now That's What I Call Music,, Now Yearbook, themed Now That's What I Call ..... and was joined by the cd only Now 12" 80's series which looks at 12" singles from a specific year rather than the three compilations of 80's 12 inch singles.
The first bunch 1980 to 1982 are on an earlier post.
My original intentions were to group post all the series together but the 1982 edition gained two volumes which doubles the post and you will note they've done the same with this edition so it seems that the remainder will follow the two part format.
That makes it more sensible to break them into chunks and update each.
As ever this is a bare bones card wrap around cover set which is a pity as a book form with some notes as with the Deluxe Now Yearbooks would of been better as this is amimed more at music fans and collectors but we live in their world....
Disc 1 opens with two of 1983’s biggest artists with Wham!’s "Bad Boys”, followed by Eurythmics’ (over 12 minutes remix of) "Right By Your Side”before being joined by Duran Duran with "Union Of The Snake (The Monkey Mix)", and the extended “Communication” by Spandau Ballet. The Human League keeps the momentum with their massive hit "(Keep Feeling) Fascination" which I bought straight on 12 single back then, while Howard Jones and Orchestral Manoeuvres In The Dark keeps up the Synth-Pop with "New Song" and "Genetic Engineering" from the Dazzleships album respectively. Extended versions from Blancmange, Ultravox, and Tears For Fears "The Way You Are" are also feature on the first disc.
Disc 2 celebrates Pop Gold with Adam Ant’s "Puss 'N Boots"one I remember from early Signal Radio here, Bananarama’s "Na Na Hey Hey Kiss Him Goodbye", plus The Belle Stars, and Bucks Fizz. Pop and New Wave fused on fabulous tracks from Haysi Fantayzee, and Altered Images with the unforgettable "Don't Talk To Me About Love", and hits from a huge chart year for Kajagoogoo and Paul Young. The disc closes with more Synth-Pop from Heaven 17, Soft Cell and a huge U.S. hit for Taco with an unexpected cover choice in “Puttin’ On The Ritz”.
Disc 3 starts from the dancefloor with the iconic "Flashdance…What A Feeling", from Irene Cara, and the stunning Electropop work-out in extended form on Freeez’s "I.O.U. (Megamix)" a personal favourite. The legendary Arthur Baker produced “Confusion” for New Order, and “The Harder They Come” for Rockers Revenge, and Forrest enjoyed a smash covering “Rock The Boat” while Modern Romance and Level 42 bought Pop and Funk crossover to the charts. This disc works towards its finale with four UK acts who all enjoyed great success in ’83 with these 12” versions enhancing already great tracks – Madness, Fun Boy Three, The Style Council, and Nick Heyward who’s “Whistle Down The Wind” was his first solo hit.
Disc 4 offers a star-studded line-up opening with 12” and remixed versions of Paul McCartney & Michael Jackson’s "Say Say Say" that took much effort to steem a sudden drop in the charts and Billy Joel’s "Tell Her About It" before The Fixx appear with their huge US hit “One Thing Leads To Another” from the album Reach The Beach, followed by Debbie Harry, and Laura Branigan who achieved a global success with “Gloria” from her first album. Hi-Energy floor-fillers from Miquel Brown and Divine, are next alongside Ryan Paris’ pan-European smash “Dolce Vita”. The collection concludes with classic dance hits from Lydia Murdock and Phil Fearon & Galaxy and a great collaboration between the legendary Donna Summer and Musical Youth.
For gathering so many interesting and important 12 inch singles of the year, a good number I personally bought at the time, this set is well worth it filling next to Now Yearbook 1983 (and Extra+Vault) before the next instalment is released.
On October 18 Part 2 duly arrived adding some additional 49 tracks to this years selection packaged in its now common place wrap around card sleeve.
Just why these cannot be in book form like "Yearbooks" or "Yearbook Vaults" really escapes me as the material more than justifies such treatment with pictures and commentary.
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