1982, the year Status Quo named an album after it it was that cool with all sorts of music from Post Punk via Funk and New Romantics to Heavy Metal vying for your wallet and chart positions, a World Cup like this week and a conflict thankfully won in the South Atlantic.
Was it really all those years ago the original chapter of Haircut One Hundred beamed briefly yet brightly not to be seen after October as we followed the solo fortunes of Nick Heyward?
Haircut 100 achieved the kind of success that they could have only dreamed of: four UK Top 10 hits, all of which were definitive '80s classics - 'Love Plus One', 'Fantastic Day', 'Favourite Shirts (Boys Meets Girl)' and 'Nobody's Fool' - followed by a debut album, 'Pelican West', which peaked at #2 during an eleven week run in the Top 10, in the process reaching Platinum status.
I remember well tuning in on Radio One for the premiering of that album and been amazed at the musicianship, tight, mainly recorded live to digital tape performances and, not for the first time, going with the influences of the girls I knew for tips on hot musical acts.
That was 42 years ago and where have those heady years gone?
But now after a lengthy absence, Haircut One Hundred are back fuelled by the power of friendship, a love of adventure, and the simple joy of seeing wherever their unexpected next chapter will take them.
Their return now gathers pace after releasing their first new music in 40 years with the new single 'The Unloving Plum', more new music and this album in released last Friday.
An advantage of sorts is having this long for a reunion is following on a few years ago from the release of a BBC concert recording from 1982, this their new album is on vinyl too and cheaper than many other new releases.
'The Unloving Plum' sparkles with the exuberant joy of a band loving what they do. The joyous, brass-assisted, instantly unforgettable pop that they're best known for is still their most compelling trait, but it's a natural evolution that takes in touches of jangly, Beatles-esque pop and an anthemic Britpop-flavoured power.
While vocalist/guitarist Nick Heyward explains what it means to him, it also speaks to the universal experience of something great in life emerging from what you initially thought was the worst possible outcome.
Musically this album follows a similar freespirit jazz-funk lead feel as that debut filtered though a pop presentation, mature pop without being too pretentious, easy to hum along or start moving to but having substance.
Playing it was a blast!
This has been something I've been so looking forward to.



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