One of the first composers I encountered was Tchaikovsky when I was a child so it wasn't so long that on record I did buy a few recordings which in time made their way to compact discs with the last major addition being the adding of the Andre Previn set of the complete ballet scores on EMI that I used to borrow on record.
One thing I had decided early on was in so far as new recordings went the priority was going to those in Super Audio cd and a good modern set of his symphonies was the first .
The first three symphonies are it has to be said something of a challenge to play in way that makes much sense of the score as in all honesty Tchaikovsky was very much feeling his way composition-wise but Valery Gergiev's interpretation does bring more out of these than many as much as I like my original disc on DG of Claudio Abbado's recording of the second coupled with the fourth. I also managed to get this two sacd set for £7.99 which was a absolute bargain!
I was raised very much on Herbert von Karajan's recordings of the Fifth symphony firstly in mono with the Philharmonia Orchestra and then his 1960's stereo for DG but wanted something more modern and this just fits the bill being in similar style and highly acclaimed.
I have a recording of Tchaikovsky's Violin Concerto coupled with Mendelssohn's by Nathaniel Milstein but this one by the much talked about Julia Fisher is one recent recording many feel brings more from it from a slightly different edition of the score.
This recent recording combines one work I lacked but did like, the Souvenir de Florence with an arresting very well recorded account of the Serenade for Strings, one of the most well known string compositions.
In 1996 I bought a most remarkable recording of Tchaikovsky's Piano Concerto by a young Manchester pianist called Ronan O'Hora which part of the Royal Philharmonic Orchestra's very on collection of complete works from the NOW shop in Stoke on Trent.
Like most of that series it was recorded at a higher than regular cd standard and altered to fit regular cd but in 2005 it was issued on Super Audio cd and the above sacd is that version which I bought for this upgrading of my music collection to this format.
In addition to a previous regular cd addition of such familiar tunes as the March Slav, the 1812 Overture etc on Tchaikovsky Festival on Naxos effectively replaced technically so-so recordings I had previously, this has now given me a pretty decent sounding set of recordings of his music.
I was raised very much on Herbert von Karajan's recordings of the Fifth symphony firstly in mono with the Philharmonia Orchestra and then his 1960's stereo for DG but wanted something more modern and this just fits the bill being in similar style and highly acclaimed.
I have a recording of Tchaikovsky's Violin Concerto coupled with Mendelssohn's by Nathaniel Milstein but this one by the much talked about Julia Fisher is one recent recording many feel brings more from it from a slightly different edition of the score.
This recent recording combines one work I lacked but did like, the Souvenir de Florence with an arresting very well recorded account of the Serenade for Strings, one of the most well known string compositions.
In 1996 I bought a most remarkable recording of Tchaikovsky's Piano Concerto by a young Manchester pianist called Ronan O'Hora which part of the Royal Philharmonic Orchestra's very on collection of complete works from the NOW shop in Stoke on Trent.
Like most of that series it was recorded at a higher than regular cd standard and altered to fit regular cd but in 2005 it was issued on Super Audio cd and the above sacd is that version which I bought for this upgrading of my music collection to this format.
In addition to a previous regular cd addition of such familiar tunes as the March Slav, the 1812 Overture etc on Tchaikovsky Festival on Naxos effectively replaced technically so-so recordings I had previously, this has now given me a pretty decent sounding set of recordings of his music.
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