Stravinsky on super audio cd

Seeing we are into the new year, we resume the ongoing series around classical music on super audio cd staying very much with one letter-S.
Igor Stravinsky was a Russian composer that really pushed the boundaries of what had been accepted in European classical music, never more so than in his ballet scores of which Le Sacre du Printemps that actually caused a riot in Paris on its début.
The Firebird (L 'Oiseau de fue) was written for the 1910 Paris ballet season and is based around the Russian folk tales of the Firebird and the blessings and curses it brings to its owner.
It was first performed at Opéra de Paris June 25 1910  where it was an instance with public and critics a like.

 For orchestral concerts, a reduced version, the Firebird Suite was devised in 1919 and recordings of both abound.
For a long time the 1959 Mercury recording issued on cd in 1992 and briefly on super audio cd in the early 2000's have been the 'to go' version for recording quality and interpration.
More recently Sweden's BIS label issued this modern stereo and multi-channel  version which comes extremely close to matching that making for a modern replacement in Super Audio (as well as regular cd) with the improvements high resolution digital recording can bring.
It is coupled with orchestrations by Stravinsky of works originally by Chopin,Sibelius and Tchaikovsky.
While during the nineteen-sixties increasingly stereo recordings and matching equipment superseded monaural high fidelity, in the recording studios and research centres people were looking toward  not just sounds from left and right but also how to transmit the ambience of a concert hall into a living room for greater realism.
This lead to "Quadraphonic sound" with two speakers left and right behind you as well as the by now standard front left and right to send that additional sonic signature (and in popular music, effects too).
As was the requirements of that era the results were recorded for lp record and tape and an artist and composer who featured was  Pierre Boulez with the New York Philharmonic conducting the works of Stravinsky.

 From those sessions the British company Dutton Vocalian have re-issued in stereo and quadraphonic two lps in that series Petrushka with David Jacobs on piano originally issued in 1972 and the Pulcinella suite from 1978 on a single Super Audio cd that plays for just under 80 minutes.
These interpretations have stood the test of time and in this disc that also plays on regular cd too, Michael Dutton's mastering from the original analogue tapes affords the best sound these recordings have ever had .
I personally found both of these discs hugely enjoyable for the playing as well as sound.