Wings gold

The origins of this entry go back quite a number of years when pre internet you found out about new titles being issued either in magazines such as Hifi World or by visiting your local record or cd stores when we had them(!).

Generally there are two types of record companies, those who are large, issue titles to the mainstream generally with little special care about sound quality and sources and those who issue limited runs of titles where they do track down the best sounding copies of each album and carefully transfer it to record or as with these titles, cd.

Many early cds didn't sound too good through a combination of not being careful over sources and also the technology that takes analogue sound to digital didn't sound as smooth as the format was and is capable of. 

Its that that lead me to start getting these Gold cds by the now defunct company DCC classics from the early 1990's onward.

Way way back in the 1970's the albums (and 45's) by Paul McCartney first came to my attention and this album Band On The Run was a favourite of mine owning it on the awesomely clunky 8 track form and fittingly this album with it's hit 45's such as the title track, Jet and as on this  US edition only Helen Wheels was the first I bought.

Apart from having the U.S. extra track which oddly enough I do prefer as with the rest of the series it has a very smooth rich sound while not fooling me to say an lp issue, does at least sound less 'digital' to the ears.

It also has a poster.

Arriving soon to me is Red Rose Speedway, the home of My Love a song that can be considered a 'standard' which will be a bit smoother than my 1987 UK edition and also has the reggae based b side to Hi Hi Hi,  C Moon, which inexplicably was left off the mainstream UK cds bonus tracks. It's a song I rather like. 

My copy will be missing the card slip cover but as it was a lot cheaper as many of these discs usually sell for over $100 I'm not complaining about that.

At The Speed of Sound should be with me by the time this entry goes live replacing a much loathed 1989 Capitol cd that masks much detail in the quieter parts in an attempt to eliminate tape hiss. 

This album was the home of the hit singles Let 'Em In and Silly Love Songs as well as enjoyable numbers like Cook Of The House. It was this album Wings toured with on the tour captured on Wings Over America recently re-issued.

I've a sneaking feeling many of us who around back then had at least heard this album Venus And Mars before, one of the best in the Wings catalogue with it's singles Venus &Mars/Rock Show (the single edit is on Wingspan) and Listen To What The Man Said (single mix again on Wingspan). 

One issue with this album is some heavy handed compression was locked into the mixdown tapes but although it's not entirely cured what mastering engineer Steve Hoffman did was carefully balance Venus and Mars so it's quieter than the energetic Rock Show that it segue-ways into for better effect. 

Strangely on all the mainstream releases Rock Show is noticeably less loud! It too has the original poster as featured on the lp and three bonus tracks.

I also was recently able to add McCartney, his first solo album  that featured the hit 45 Maybe I'm Amazed and Teddy Boy in addition to  Ram, featuring the 45 Uncle Albert/Admiral Halsey and the pro population song Too Many People  on DCC too.

Waves! with Mastersound Gold cds

Think of summertime radio and you fall straight back to this Anglo-American outfit known as Katrina and the Waves whose hit Walking On Sunshine written 4 years before charting is THE summer song.

Those of us who were braver back in '85 ventured and bought the album only to find that this was really a bar band with a neat line in well crafted good-time rock. It was followed up a year later by Waves! which featured the European hit Sun Street.

I had the second on imported vinyl but lost the XDR tm tape of their first album a while ago.

Fortunately BGO reissued the albums on a single cd in 1996 in an excellent transfer.
Catalogue number BGOCD 330

These mastersound gold cd's came out during the mid 1990's and I bought several of them as they purported to from the original mastertapes and were a bit cheaper than those issued by so-called 'audiophile' labels such as MFSL and DCC.

They were a mixed bag - I couldn't get on with the issue of Boston S/T being screechy replacing that by a regular US version - and failed to see the sense and trying to make a audiophile issue of Bat Out of Hell, an album that has lots of mixing issues whatever you might think of it musically.

Miles Davis's Kind Of Blue benefited from a new stereo mixdown with the tapes run at the correct speed and a more richer sound than the 1986 Jazz Classics cd issue.

For me the 52nd Street and Infinity albums remain the preferred digital versions despite newer remasters emerging.

People still argue about Reo Speedwagon's Hi Infidelity album on cd and for me nothing beats a good original lp version.

The original Japan for Europe Issue I bought back in 1987 has it's strong points such as the smooth mid range but the lowest notes are reduced and the hi hats on Keep On Loving You are over emphasized.

The Mastersounds has a few drop outs on what was side one and may sound  bit more processed but to me sounds more balenced overall.

Audiophiles also argue about Tapestry, the classic 1971 Carol King album but for me it's all about the mids and this mastering focuses on her voice.