Showing posts with label billy joel. Show all posts
Showing posts with label billy joel. Show all posts

Saturday, 12 August 2017

Billy Joel's Greatest Hits

The last time in the evergreen "teenbeat" series of posts I looked at the hugely respected singer-songwriter Billy Joel was in August Second, Twenty-fifteen with the specialist re-issue of his Streetlight Serenade album in part five of a series of posts around his music.

In September second Nineteen eighty-five, the first compilation of his many hits was issued on record, tape plus slightly later as it was CBS/Columbia on compact disc as they were late getting into cd and it was well conceived.

First off this it was planned as double lp and double play tape because it would of been hard to have fitted every single hit into a single album even though on the first issue they used mainly singles edits which was changed with the Nineteen ninety-eight remaster to album versions.

By this point the album was only available on tape possibly MiniDisc and cd and with these formats disc or tape side lengths are less of an issue than lp record sides.

They also had the sense to program it chronologically, so you saw how he developed  from Cold Spring Harbour to An Innocent Man lyrically and stylistically rounded it off with a series of special recordings just for the album.
 Over the last few years the specialist cd and record company Mobile Fidelity Sound Laboratory of Illinois, U.S.A., have been re-issuing his recordings from the original master tapes rather than copies using high quality equipment to get the very best sound of his best loved albums on record and also on Super Audio CD and after quite a delay from advertising their intentions to tackle this compilation finally it emerged late July Twenty-seventeen. 

Inside the slipcase the disc itself is sandwiched in a Mini lp gatefold sleeve that my plushies are reading!
Also in the slipcase comes a song book with all the words to featured songs in order of appearance on high quality paper which is a lovely touch and one that was unexpected by many of us who buy these discs.

The disc features the singles mix of Tell Her About It, You're Only Human (Second Wind),The Night Is Still Young issued as singles in nineteen eighty-five and a version with re-recorded sax of New York State Of Mind.

The remastering which is unique was done by Shawn R Britton and is exceptional for the depth and atmosphere he's managed to get from those recordings  making this version of the classic double album most worthwhile.
 
Technically this is a hybrid Super Audio cd (sacd) with a thin top layer for playing in super audio cd players like my new one for improved fidelity and a second layer for regular cd reproduction or copying to a portable music player and so is 99.9% compatible with all players.

Wednesday, 19 August 2015

Billy Joel and Streetlife Serenade

If you read the previous editions of teen beat and the predecessors, you may of gotten the idea I do rather like Billy Joel and over the last five years a whole batch of his albums have had so-called 'audiophile' editions promising and delivering the best possible  sound from the Master Tapes.
 In 1974 he recorded a second album in Los Angeles whose songs referenced  both Surburbia and the Inner City.

Billy has publicly expressed his feeling the album as released didn't realize his intention and like with The Piano Man and Cold Spring Harbor, he re-recorded some of the songs live for the 'Songs In The Attic' album released in 1981.

The song most remember from this is album is 'The Entertainer' a #34 single hit, where he expresses his disapproval of how 'Piano Man' had been severely edited for single release inserting the sarcastic response "If you're gonna have a hit, you gotta make it fit, so they cut it down to 3:05".

Personally I like this albums wider musical range.

What's nice about this edition is the Mastering Engineer, Kevin Gray has prepared it from from the original mastertapes as mixed from the multi-track session rather than a copy of that so it's a clear sounding as possible and has the widest range between the quiet and loud passages.

The original recording to my ears was very well captured.

As well back in 1974, a four channel mix was made for the SQ quadraphonic record designed to reproduced over four speakers in the corners of your listening area and that mix is added as a extra to the Super Audio cd layer for those with players that support that format.

Wednesday, 30 October 2013

Billy Joel, the piano man part IV

Like me we're going on back this week in time to 1981, when I was still in high school a little older but feeling still 12 to when I first heard this album.

I was just starting to come out a fog following the death from a sudden illness of a very close school friend who also really interested in music so among the many memorable release of that year, this one comes to mind.
Coming after the new wave inspired Glass Houses album, this was a live album of songs some of which were on his first two albums and a few others not previously recorded. 

Lesser artists might of called this "Greatest Hits Live" but Billy being Billy gave it a proper and meaningful title "Songs in the attic" because it comprised of songs he thought the original recordings didn't do justice to such as Captain Jack or had literally been in his attic untouched and unrecorded.

Unlike the majority of live albums too, this yielded two top 40 hits "Say Goodbye To Hollywood" and "She's Got A Way" aided by the fact Billy had a great great live band backing him and his piano playing being caught well by the recording equipment, something this disc re-issue (on vinyl and regular cd with super audio cd layer for suitable players) really does justice too.

The specialty record  company Mobile Fidelity have recent reissued it as part of their program of very high quality reissues licensed from Sony Music of his back catalogue.

As at the time I only had the European cassette to have an excellent cd version packaged like a lp couldn't be nicer and a pleasant reminder of those days gone by.


Wednesday, 22 May 2013

Billy Joel, The Piano man Pt.3

Following on from the first two posts of this series, finally the specialty record company Mobile Fidelity re-issued Billy's 1983 album a few weeks ago.

While from the part of view of artistry this fails to keep up with his artistic development such as that on the previous years The Nylon Curtain, what it makes up for is his abilities to bring about a fine pastiche of 50's music for the 80's which hit the nostalgia market head on.

It also helped no end that Billy had embraced the pop video for stations such as Much Music and MTV so those memorable songs from the album such as the singles Uptown Girl, Tell Her About had lodged their way into ones visual recollections of that era. Billys performances on what I can consider to the best songs on the album such as the uptempo Christie Lee, the doowop inspired the Longest Time  and plaintive An Innocent Man are amongst the best he's ever recorded.

This remastered super audio cd that also has a layer that plays in regular players offers much improved transparency over the original and 1998 remastered edition coupled with an amazing rich sound that makes you feel Billy's singing in your room on a good quality stereo.

Strongly recommended for Billy Joel fans.

Wednesday, 21 November 2012

Billy Joel, the Piano Man Pt.2

This is the slightly over due part two of our music specials on Billy Joel whose music I loved growing up.

Following a bit of a gap the program resumed with 1978's fantastic 52nd Street jazz influence album with it's hit singles My Life and FM album favourites like Zanzibar which like all of  Mobile Fidelity's  issues in this series isn't just a finely mastered cd besting regular Columbia/Sony issues but also a even better sounding super audio cd that can be played on a dedicated sacd player or many Blu-Ray players that have playback built into them.

These releases use a mini lp style of presentation complete with lyric inserts which I much prefer over plastic jewel cases.

 On July 31st 2012, the specialty reissue company Mobile Fidelity Sound Labs as part of it's program of Billy Joel reissues put out a new version of Billy Joel's 'new wave' Glass Houses album from 1980, the one with 'It's Still Rock and Roll To Me' on it.

If you like Billy Joel as I do then you're no doubt familiar with numbers like 'All for Leyna' but what makes this so enjoyable is it hasn't had any extra narrowing of the quiet and loud passages applied to it so when those drums kick in you can tell! 

Plus it sounds really clear in the presence area great for Billy's voice and the percussion.

The last edition of I bought was the 1998 Sony re-master which I have on Minidisc.
This 1982 album saw Billy emulating the feel of the 60's with many a nod to Paul McCartney and featured hits such as Allentown that caught the despondency of the early 80's Reagan era America as the smokestack industries faced decline.

This new version on regular cd is the best I've ever heard this album which although recorded digitally was actually mixed to analogue tape.

It is to be hoped the 50's pastiche that is An Innocent Man gets this treatment soon.

Saturday, 21 May 2011

Billy Joel, Piano Man

This week we're back to music and looking at Billy Joel who I followed certainly around the time I was in high school  and I've been collecting recordings by him ever since.

He was born William Martin Joel in 1949 in Long Island, New York formed a band called the Echoes in 1964 the year of the 'British Invasion and later on formed a hard rock band in late 1960's called The Hassles from which a duo with their drummer Jon Small.

In 1973 on the strength of shows in the Northeastern United States he signed a recording contract with Columbia Records  which led to his debut album album Cold Spring Harbour being issued. 

The first two cds by Billy I bought were An Innocent Man and The Bridge in their European issues following up with the Japanese cd made for Europe of Nylon Curtain, The US versions of Storm Front plus River Of Dreams and a minidisc (RIP) of Streetlight Serenade together with Greatest Hits III in 1998.

Recently I have acquired a couple of specialty label cds from Mobile fidelity (Mofi) of Chicago, Ill. by him and it's these I wish to talk about.

In so far as most Britons are concerned he came to notice during Elton John's unavailability late 77, Early '78 but actually Billy went back much further than that but simply they'd not heard that early material.

 
Piano Man which remains one of the finest albums by a contemporary rock artist taking his observations on NJ life including the controversial Captain Jack that tackles drug abuse . 


As well it is worth noting this album is clearly influenced by Elton's Tumbleweed Connection as well as having a Western theme running thru it.

Piano Man is a fictionalized account of his own story working the bars, trying earn a dollar.
Turnstiles was the next one up and was the second just issued by Mofi which features New York state of Mind in it's original mix rather than the remix used for all previous cd versions as well as Miami 2017 and the epic Say Goodbye To Hollywood.

All these discs are Super Audio cds with a higher resolution layer for suitably equipped layers and  a regular layer for my own cd player.
 
I was fortunate to borrow  the the Audio Fidelity 52nd Street which I didn't like  finding it too muddy so elected to elected to stay with my 1994 Sony Mastersounds gold disc.