Showing posts with label david bowie. Show all posts
Showing posts with label david bowie. Show all posts

Wednesday, 23 January 2019

Changestwobowie redux

On Wednesday I went out armed with a remaining HMV store voucher and some cash from Christmas at least in part because of that store groups current crisis is in 'administration' with the intention of getting the odd thing I'd not got around to.

In June of 2016 I wrote about the vinyl re-issue of the iconic ChangesOneBowie compilation lp - a kind of greatest hits - originally issued in 1976 but on April 13th last year the follow up issued some five years later was also reissued but I hadn't gotten around to getting a copy.
Originally issued in November of 1981 on RCA records, it followed the format of the first volume with a seamless selection of  songs split for lp across two sides with a fairly plain blue rear with a large capitalized tracklisting.

I remember seeing this at a record store I frequented around late 1981/2 looking almost lost around the other major releases of the era and a part of this stems from David having no input into the track selection which has it odd points as it features 1984 from the Diamond Dogs album but not his more recent hit, 1979's Boys Keep Swinging and as this compilation goes back to 1971 for its selection it failed to sum up what mattered in that year so much effected by the "Berlin trilogy" albums (Low,Heroes and The Lodger) and Scary Monsters.
 That was an influence on not buying it until the cd era - have the super rare RCA cd from 1984 - and I wasn't alone as the sales figures were much lower for this than it the first installment.

This is in spite of having the disco remake that is John I'm Only Dancing (Again) that was never on a studio album.

The record was re-issued in both standard black vinyl 180 grams and blue, which like with the re-issued ChangesOneBowie with it being pot luck as to which version you got as there's no indication on the lp jacket
.
Mine is the rarer blue vinyl one shown above where you'll see  they have stylized "Bowie" to pass at first sight for the 1980's RCA records logo on the left and the reminder of the typesetting mimics the RCA label of that era.
 The record itself is housed in a smooth-sided card sleeve that is a close replica of the original that removes any reference to RCA Records and his narration on the record of Peter and the Wolf that RCA issued and was advertised originally.

Looking at it in 2018/9, the pair of albums to sum up as well as one might expect his main era and for some of us the soundtracks of our lives nay childhoods even and so sound better than the original editions did.

Whereas on cd the 1993 deleted The Singles Collection sums his career up better to 1987, I think for a vinyl based part nostalgic look these two albums do work well.

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Wednesday, 15 June 2016

Changesonebowie redux

Between studying I have been listening to some music and arriving last Friday was this, the vinyl reissue of the very first David Bowie compilation entitled changesonebowie that came out originally in 1976.
It was the first album that featured John I'm Only Dancing and in the eyes of many had a seamless unity running through the selection that made it most satisfying to play from start to finish starting with Space Oddity through Jean Genie to Golden Years from his Station to Station album issued early in 1976.
The cover photograph is very iconic.



It was reissued May 20th  in random form with half the copies on standard black vinyl an the other clear like the above one with no indication which you'll be getting!

Although this is sourced from high resolution digital files it does sound better than the original UK album overall and is noticeably cheaper to buy compared to a used original!
Having so many of my favourite 45's from childhood playing this was a enjoyable trip through time so I'm glad to have got it.

Monday, 11 January 2016

R.I.P David Bowie (1947-2016)

Like most of you I woke up, Monday (1/11/2016) around a quarter of Seven to the shock news that David Bowie had dead at the age of Sixty-Nine something the shocking for Blackstar, his last album had only been released Friday to glowing reviews. 
I'm feeling rather numb even now about this but in looking at his achievements, the first thing I would say is he seldom if ever repeated himself, sometimes to a fault, always reinventing himself and working with new ideas and exploring whole different genres.

His catalogue could never be described as being in anyway samey, indeed you find some fans have one period they major on although perhaps basic I have a more wider interest in music and music-making I'm not in that camp.

He broke new ground in the topics he sang and wrote about, brought new sounds to the mainstreams ears...and moved on to the next.

I could never just pick a half dozen of his albums although Hunky Dory, Aladdin Sane, Diamond Dogs Station to Station and Scary Monsters sure would feature.

The other area I'd say was outside of music, he was a proper actor who did star in three films not least The Man Who Fell To Earth and in several stage productions, did understand the importance of creating personas, costumes and staging  which in conjunction with the use of music videos which he was a pioneer of, provided the total package.

It's quite probable that the American Hard Rockers Kiss were influence by aspects of his work, the story telling and that total package from Hunky Dory and Ziggy era.

The other area was in being open about his sexuality, exploring gender presentation together with  Lou Reed and to an extent Elton John collectively they opened up a conversation around what it means to have a sexual and gender identity, how we express it and how that differs for all of us. 

For anyone who was Lgbtqi in the 70's and 80's you don't need me to say just how being himself, David give us space and aided the greater toleration of difference. 

We owe him that regardless of our music tastes and I suspect for a good number of the depth of feeling we have in mourning him is influenced by that, it has a personal quality to it.

He also to his credit took on MTV in its lack of music of black origin in it's early days and even of the faces of People of Colour from its programming and got that changed.

Rest in Peace David.