Mozart Masterworks 1991 revisited

In 1991, to mark the 200th anniversary of the death of Mozart, the record label Deutsche  Grammophon at the time one of the leading labels issuing classical music, instituted a 25 compact disc series entitled Mozart Masterpieces that picked what they regarded as the most essential Mozart compositions in performances they regarded as being desirable all in what was a budget price which from recollection was around £5.49 per disc available separately or as a complete set. 

When compact discs first came out typically we paid £12.99 or more  and by around 1987 mid price discs often more generous when it came to content when it came to classical ones came out around the £7.50-7.99 mark so to have all these recordings at a low unit price really was a bargain for someone who only had a few recordings and many of them on tape or record.

There were however a few for various reasons I didn't get such as the recording of Symphonies 40 and 41 by the London Symphony Orchestra conducted by Claudio Abbado that it was generally scarcely skated the surface of what was in the score to which I bought the mid 60's recordings by the Berlin Philharmonic Orchestra  conducted by Karl Bohm instead and there was this one that I had the 1976 Vienna Philharmonic Orchestra recording by Karl Bohm I bought in July 1987 when it came out on the new Deutsche Grammophon "Galleria" series  with the Posthorn Serenade.

I thought it was time to revisit this series that was the core of Mozart collection and track down a copy for the 1960's recordings the Berlin Philharmonic did of this and two other works under the larger than life conductor Herbert von Karajan.

That copy of Bohm's conducting Symphony No.31,40  and 41 on DG "Privilege" was the first I replaced.

Part of the reason was I added the nineties DG "Galleria" of symphonies 25, 29 and 31 was to expand the range of symphony recordings  which did bring about duplication with symphony 31  and this double cd is not only remastered for better sound but adds symphonies 35, 36, 38 and 39 as the original Mozart Masterpieces cd DG 429 802-2 with symphonies 38 and 39 conducted by Herbert von Karajan had gone missing.

This took in his recordings of the late symphonies in their entirety that many hold to be superior to his nineteen eighties digital remakes with the Vienna Philharmonic Orchestra.

I did buy the Melos performed String Quartets disc but I bought later on a 6 cd set of the main String Quartets performed by the Amadeus Quartet at which point this single disc disappeared for some reason or other so I've picked up a replacement so I can enjoy their account of these two works.

This disc played by Pollini was in the set I bought as DG 429 812-2 with a rather generic embossed Mozart head on a piano image using the cd stampers of the mid to late 1980's cd issue but was re-remastered in 2011 in DG's "The Originals" series.

The remaster has given it a smoother less harsh sound that also feels more full and spacious than the original so has replaced it.

As well, it restores the original 1976 lp front cover which is much more attractive as art to look at featuring conductor,pianist and orchestra. 

Also included in the series was Géza Anda's recordings of his Piano Concertos 19 and 26 which for some reason I never bought although I did get a different recording of no 27 than the one in  this cd set which were from a complete series of them that currently are in a 8 cd set that I hope to get at some point being one the finest ever issued.

While the cover on my copy has the label "Privilege" not "Resonance" in the same font) it is from the very same stamper used for it so it is technically identical.

This was the 8 cd set that eventually I bought remastered compared with the early single cd for more firmer sound. It's just a pity copies of the original lp front covers were not included in the booklet.

This series was the first one I followed rather had bought for me, providing an opportunity to replace a number of works I had on much played records and tapes, making available what had in some instances been full price discs cheaply such as the Berlin Philharmonic, Anne-Sophie Mutter recordings of the 3rd and 5th violin  concertos and the first time some recordings previously issued on tape and lp record came out on cd.

Revisiting it, playing some of the original purchases and these others I missed  brings back many happy memories that lead to the establishment of considerable collection of favourite works by many composers on compact disc and its higher quality form, the super audio cd.

As well I did get a complete set of recording of Mozart's violin sonatas that originally came out as separate cds at this time cheaply comprising of excellent all digital recordings to go alongside the collection.