Being out and having special girls know

There comes a point in your life when beyond raiding the dressing up box or the school spare clothing pile you realize there is more to this than just wanting to wear what girls you know and secretly admire do, you need to go a step more girlie and you want them very much in on it.

It doesn't have to be based around more adult themes which generally we don't go into on this blog but it might be being a uber filly femmed gurl in a play pen to play with while the girls look on and maybe play with the plushies with you.

I am becoming more and more a frilly sissy from top to bottom and learning to enjoy it.

You love it as much as it turns you red and feels humiliating but then you might secretly like that whole "caught out" thing.

A more sissified take on games you used to play and love

There again you might of wanted a sibling to see you as you felt you were rather than in the identity Mummy and Daddy had in mind for you and you just don't belong in.

They may want to exhibit you but somewhere down the line between the red cheeks you want to be "out", you almost crave that attention.

I just feel a good number of us do even if we may not feel like taking this to the lengths more full on adult sissy takes which is perfectly fine but it seems daft to deny it

Just enjoy being the sissy you are how it takes you

Now Vault 1982

Now it has warmed up a little  we'll resume on a series of entries from 2024.

In June 2024 Now launched a sub series VAULTS, which aims to cover minor hits of the sort that tended to pad out our Ronco and K Tel sets as much as we may of preferred some of them to the big hits back in the day and also American Hits which unless someone did a American Hit compilation you didn't get so I'd buy the 45's where available.

Issued Friday 16 January, it follows the broad theme of things that for all the music industry talk didn't trouble the top 30 and american hits that weren't in the UK (and should of been I'd add).

Opening the set on disc 1 we have the era-defining style with ‘The Hanging Garden’ from The Cure, taken from their album ‘Pornography’, and Bauhaus with ‘Spirit’ ahead of the collaboration ‘Bamboo Houses’ from David Sylvian & Ryuichi Sakamoto. 

A single in the U.S., ‘Secret Journey’ from The Police comes ahead of ‘Athena’ from The Who, and ‘Valerie’ from Steve Winwood – which would be a bigger hit when remixed five years later and closing the first side a beautiful song – ‘Empty Garden (Hey Hey Johnny)’ from Elton John.

Flipping to side two we have a run of new wave and post-punk gems including from Elvis Costello, The Clash, Theatre Of Hate and Gang Of Four. Melancholic pop from The Teardrop Explodes leads to disc 1's  closers from Mike Oldfield, and a classic ‘Tug Of War’ by Paul McCartney from the album of the same name.

Disc 2 kicks off with a run of pure pop: Culture Club’s ‘I’m Afraid Of Me’ was the single before their #1 breakthrough, and is joined by Spandau Ballet, Level 42, Bananarama and Toyah with a re-recording of her 1980 anthem ‘Ieya’. 

A trio of synth-pop essentials closes the side: Visage with ‘Pleasure Boys’ their third single in 1982, Blancmange with ‘Feel Me’ – their second single, (the next would be their Top 10 breakthrough) and ‘Flowers’ by singer-songwriter Zaine Griff – produced by Hans Zimmer and featuring unmistakable backing vocals by Kate Bush. 

Flipping over the side sees the fusions of Electronic Music with hip hop and disco celebrated, opening with three huge tracks: ‘Planet Rock’ from Afrika Bambaataa & The Soul Sonic Force, the floor-filling ‘Loopzilla’ from George Clinton and ‘Let It Whip’ a Top 5 U.S. smash from the Dazz Band – ’82 R&B from Aretha Franklin leads into retro-influenced pop from Mari Wilson and a jazz-influenced club classic from Blue Rondo A La Turk. The LP finishes with Imagination who created one of 1982’s essential albums with ‘In The Heat Of The Night’, from which this title track was taken as a single.

The concluding disc celebrates what was happening in the U.S. in 1982 on its first side. ‘Atlantic City’ from Bruce Springsteen’s ‘Nebraska’ leads, ahead of huge stars Billy Joel and John Mellencamp. 

1982 would be the year that Daryl Hall & John Oates broke through in the UK with two Top 10 hits – but here featuring their U.S. Top 10 ‘Did It In A Minute’, plus, Michael McDonald who hit the Top 5 in the States with his debut solo single ‘I Keep Forgettin’ while Quarterflash leads into Asia, who had the year’s biggest selling album in America, and Journey with their biggest hit, the massive ballad ‘Open Arms’ from their Escape album.

The final side opens with an instrumental theme to a TV series U.S. Police drama ’Hill Street Blues’ ran for six years and peaked in popularity in 1982 – with its theme by Mike Post featuring  Larry Carlton spending over five months on the chart, hitting the Top 10 in the U.S. and #25 in the UK. Fun Boy Three hit with their cover of ‘Summertime’, which comes ahead of Grace Jones and Men At Work. 

This is followed by U.S. new wave from The Go-Go’s, The Waitresses, and The B-52s and closing the collection Siouxsie And The Banshees’ stunning interpretation of the traditional French carol, ‘Il Est Ne Le Divin Enfant’.

This set just fits nicely between my original Ronco, K Tel and Telstar compilations and the rather good Now Yearbook 1982 set, rounding out that years great colourful sounds.

Be the doll!

A few well-being issues today, scratch that, since the weekend so it's gonna be short and sweet.

I like playing although there are times when other events do rather take over that you can do little about, they may be craft kits, lego, which in it's original form was only limited by your own imagination rather than the vast amounts of movie and tv tie-in sets they've issued over the last fifteen or so years.

There are those things we hug and involve in stories we act out such as our teddy bears, hello kitties and dolls.

Dolls do matter for gurls, as it's often our springboard to seeing what who looks may be like and where we might wear them as soft pastel outfits wouldn't do for fetching the coal in or doing a bit of gardening as much as we might feel like a million dollars dressed like that.

We may experiment with hair fashions too and a vast array of accessories but you know where it ends up for many of us?

Before you know it, we work on becoming the doll and didn't we just want that from our drab pasts, a total change so let's make 2026, the hear of being the dolly we love, upping our femming!

The classics restored

Another bitter sub zero winters day so why not get this post written so I can chill a bit later on as after that rotten migraine I need the rest.

Anyway as several of you know I have had a long liking for what is termed Classical music  stemming from actual childhood having had my own meagre record collection from around the age of 8 of my favourite pieces.

Over the years I've added recordings to them, changed formats  as the years have seen the availability of and advent of recordings new media has changed and I've written a bit in the past on the blog about them.

The start point for a good many of the restored Classical recordings on sd card was a series I bought in early 2015 and here are some comments on them.

The music of Ravel was one of the first composers I encountered and recently this recording by the distinguished American conductor  Leonard Slatkin, whose career I've followed over the years. The playing by the French orchestra is superb and I can see this and  it's second volume that I also purchased gaining a few awards at the years end.

Bela Bartok's Concerto is a fine example of twentieth century classical music, indeed many have said it has some of the boldness associated with American composers that period so it's fitting this is performed by an an American orchestra and a remarkable female American conductor Marin Alsop who has conducted in many countries including the 2013 Last Night of the Proms in England.

How many of us just loved watching Disney's Fantasia and can remember that series with Mickey Mouse getting in trouble as the Sorcerer's Apprentice?

Well that was written by by France's Dukas and is featured in this excellent modern recording that has plenty of character.

 Finally and fittingly back to violin music and a violinist I first encountered way way back in 1992 in a program of French Sonatas for violin and piano.

I completed before some issues with a computer put things on hiatus a new series including the four symphonies recorded by Sir Edward Gardner and the Bergen Symphony Orchestra by Brahms.

One thing technically all these recordings I purchased have in common is that although they are available on regular cd, I bought these as better than cd quality 'High Definition'  24 bit downloads which can be played on a computer.

I play them using my Fiio x3 digital audio players line output through my hifi system as well as on headphones where the smoothness and lack of the low level artifacts that even the best cds have is noticeable.