When I first started collecting recordings as a teenager this disc and several others that were issued on Classics For Pleasure were what I bought in the lp era and recently they were issued by Warner Japan who bought the rights to EMI's classical output on hybrid Super Audio cds that also have a layer that play on regular cd players.
To me at least there is a difference between seeking out outstanding versions of individual symphonies and finding a set to live with, and while there are undoubtedly performances of single symphonies available which could compete with the best, it is as a coherent and aesthetically consistent survey that Cluytens accounts - available in this set - are best considered.
I feel there is a rightness to his judgement which proves enormously satisfying on repeated listening's and there is a special interest in hearing the fruits of a combination of several stellar talents: the virile, robust sound of the pre-Karajan Berlin Philharmonic, the production genius of Walter Legge working in a congenial recording acoustic, the Romantic but never indulgent interpretations of am under-rated conductor who died all too soon, and the especially fine vocal contributions from an unusual team of soloists and the wholly committed choir of St Hedwig's Cathedral - wrapped up in a set bought from a Japanese owned Ebay store.
In my teens I became acquainted with Beethoven's symphonies through these performances when they were available as budget LP's on the EMI Classics for Pleasure label collecting the complete set and was worried that many years later my judgement would be clouded by sentimental attachment, however having listened intently to a good many other versions, I find that this set stands up remarkably well.
The Pastoral (my favourite of the lot) and the Ninth have long been praised but you will find equally enthusiastic endorsements of every symphony here in one review or you'll be hard pressed to find a discouraging word.
They are not the last word in individuality, nor do they bear the stamp of a particular approach, but Cluytens seems to understand and appreciate the spirit and heart of this music. Absolutely no-one captures the cat-like tread of the opening of the Fourth the way Cluytens does; rhythms and accents are beautifully sprung and he pays close attention to dynamics. I was also especially pleased to discover that Nicolai Gedda, was much more impressive than I remembered him in the Choral, and the soaring refulgence of Gre Brouwenstijn's soprano is a special treat.
Herbert von Karajans recordings with the Berlin Philharmonic are often interesting but to me he's never conducted an even as set as this Cluytens set with the same orchestra.
The set had been issued in 2010 as a budget five cd box set of pretty decent sound but comparing that with the new set shows the remastered stereo sound is warmer and more spacious preserving a sense of being present at the session that show the excellence of the recordings made between 1957 and 1959.
Recorded and included on the original lp issues were a series of six overtures which are not on the sacd issue.
Around the same time but this time with the French National Radio Orchestra, EMI recorded André Cluyten's conducting Beethoven's Violin Concerto with the celebrated violinist David Oistrakh.