Teenbeat: More stereo explosions in the Wintertime

What was billed as a major snow storm was really rather a mild one here at the yesterday and monday so all the preparation was really rather wasted with a  couple of centimetres of snow at the most but something it did do was give me the opportunity to listen to the latest in a series of special cds for collectors.

The stereo explosion series of cds was a new series started a few years ago by the enterprising Eric Records company in Oshawa, On., Canada who specialize in finding and re-issuing original hit recordings that in an era where albums are more coveted the single version which is often different is hard to find new.

There was a period in the United States especially where such records were tossed out as singles especially mono single mixes were seen as "old hat" and not worth spending money on storing.

A lot of research and time finding them even if sometimes a clean original record may be the only available option would be undertaken and they'd issue compilations of them for collectors and presenters of vintage chart shows.

The Stereo Explosion series follows the same concept they would try to find the stereo single and using modern techniques of using artificial intelligence in audio extract individual elements within a recording that wasn't issued in stereo and remix that to stereo.

We had got up to Volume 10 in 2023 and just before CatMas, Volumes 11 and 12 were issued.

Volume 11 is more the mid 1950's to early 1963 period covering rock and roll as shown by the Elvis Presley selections, early R&B/Soul from Sam Cooke, Gladys Knight and classic pop fromthe Crystals and Chiffons.

A tidal wave swept the American charts from the end of December 1963 wiping out much of what had gone before and it was British and this selection from  mainly 1964 and 5 captures many of these sounds although the likes of the Beatles aren't covered.

There's no problem finding anything by them on cds!

Singles in the UK often weren't on albums, were often only mixed into mono for playing on Radio Luxembourg and inexpensive portable record players and so seldom have a true stereo mix...until now.

This just imagine my delight to hear the seriously brilliant Yardbirds perform For Your Love, Bits And Pieces by the DC5, Please Don't Go by Them and I Can't Explain by the Who in very credible clean sounding stereo.

Recordings that influenced the next wave of American acts and actually Berry Gordy of Motown really rated the production and beat of those early DC5 songs.

Also included are the awesome Animals, Manchester's Herman's Hermits and those Swinging Blue Jeans with the infectious Hippy Hippy Shake.

The out of this world Telstar produced by the amazing Joe Meek appears sounding really fresh with the second mix a generation higher than the one used for the single sounding clearer than ever.

For those of us who love pop hits of the 50's and 60's these discs are just great for the songs, memories now in stereo sound.

Pinafore dress patterns

Hi, Hi peoples after a few days with a really bad migraine, I suppose you can say expect the unexpected cos I'm feeling very little at the minute with a few chunks of memory temporarily M.I.A. after that.
But anyway I felt like posting a little about dresses (gasp!).

Starting with this set of dress patterns from May 1950 looking a Mother and Daughter dresses and especially the aprons.

Third from the left just feels so me had I'd of been around back then.

 Most of these patterns are from the late 50's and the 60's and starting from the above while all are really nice, two stick out as potentially me rolled back to the age, the bottom left plaid one and especially the lower middle one in blue with the red ribbon.

I'm not really into 'fussy' designs that probably has something to do with finding dressing at times difficult by myself.

 From the second picture top right panel, that blue dress with the bow looks more the kind of thing I could worn at a party, Alice style as there's just about enough 'pouf' in the skirt to make a pleasant change from school dresses.

 This next set is from 1964 and I think it's the blue one with the detail on the bodice and again I like how the skirt hangs on it.

 Same era and it could be either although I suspect the blue check just edges in with a classic cut preferring an A line to a tube shape.

Fast forward to 1969, and it's the one on the left, bring out the white tights and the ribbon and I'd be in seventh heaven apart from feeling definitely little. And little I am!

And there with have it with aid of missing bits of memory to cut out any internal fighting, I, do admit to being a boy who loves pretty frilly dresses.

Darn it the secret's out!

Is there gonna be  a cry of "Can you please sow my button back on please?" next.

The Beatles In Mono on vinyl

The genius of this entry goes back three weeks ago to September 8th at least in the UK as  that was when a rather special set of vinyl lp records was issued in both individual and boxed set form with the box set featuring a big book with a history of the records , pictures of tape boxes and naturally enough, the artists themselves.

It is also a follow one to November 2012's music special that was timed to do with the stereo vinyl re-issues and how that slotted into my collection started in my earlier life.

The first thing to say is in this set there are 11 albums, the first 9 UK titles, the American compiled but later adopted in the UK Magical Mystery Tour and the new Triple Mono Masters compilation.

I opted to buy them individually as with a bit of searching I could get the whole set for much less than I anticipated and it's not every day you can get a set of brand new mono albums made directly from the tapes, the way they did in the 60's with not one jolt of digital processing involved.

An indication of the attention to detail in this set is the label above being a copy of the one used on the very first copies of the Please Please Me album from March 1963, the other UK original albums through Sgt Pepper's Lonely Hearts Club band have period Yellow and Black labels with the White Album (aka "The Beatles") and the new Mono Masters triple having dark green Granny Smith Apple designs.

This one being American in origin has a replica Capitol colourband rim design as original Capitol lps did back then. Originally the songs from the film were issued in the UK on two 7 inch singles in a book and the stereo lp was eventually issued in November 1976 for that territory.

The sleeve construction owning a few originals is the same although the way the glossy lamination is achieved is different.

The White Album has individual issue numbers stamped on the front to each copy and top opening slots for each record, the four pictures and poster just like the originals did.

I have just one of them left to arrive but overall these sound at least as good as in number of instances better than my originals such as of the UK Revolver or early 80's extremely limited edition mono issues (the so-called '81's) like my copy of With The Beatles while I've never owned the White Album and Magical Mystery Tour in their mono  forms.

It seems using the tapes directly and altering the sound slightly per track while making the lacquers used to make the records has given them a transparency that has never been on any previous lps and in comparison with the Beatles in mono cd box set  is lacking from that.

While not  much processing  to the tone was done on the cd box set, it's obvious some tidying up like editing and click removing  was done digitally when you compare the actual records to the cds but it doesn't undermine the value of the cd set for those who prefer that media.

Why mono? Because for much of 60's the final mix was done first to mono, the one speaker systems most people had taking a lot of care with the impact and critically with the Beatles they were present during that process.

In the UK All the singles from Love Me Do to Get Back were only released in mono so the original mixes were the mono ones although from 1970's many compilation albums featured only stereo mixes done later.

In so far as original studio albums go the stereo mixes were done later usually by engineers in a half hour or so with no input from the Beatles so these mono mixes were more what they wanted their fans to hear and there are a good number of significant differences  between them with Sgt Peppers Lonely Hearts Club band sounding more finished, nay arresting as a listening experience compared to the stereo.

It's important to note the first two UK albums were not recorded with any aim of making a stereo record so much as using two tracks to fine tune the balance between vocals and instruments later on which why in 'stereo' you have that odd backing in one speaker, vocals on the other effect. 

The final album in this series, Mono Masters is a triple album that has those singles with flip sides and other tracks not originally  released in the UK on album form from the original single mix of Love Me Do to You Know My Name from the b side of the Let It Be via such singles as I Want To Hold Your Hand, I Feel Fine, Day Tripper, Hey Jude and the last UK mono single Get Back.

It also has the entire Long Tall Sally EP plus dedicated mixes made a projected EP of songs from the Yellow Submarine that were never issued given a separate lp side meaning if you don't need the stereo versions, the Yellow Submarine album isn't really needed as there were only two other songs that are on it by the Beatles and they were issued on previous albums anyway.

Like most people who bought it, I feel compared to the 7 inch singles the sound is that much fuller for having more vinyl space to accommodate the full range of loud and soft passages and low notes in this unique compilation. It also is more convenient too than flipping 45's every two and half to three minutes with the 6 sides covering fairly well defined eras in the group.

The records:
Please Please Me
With The Beatles *
A Hard Day's Night
Beatles For Sale
Help!
Rubber Soul
Revolver
Sgt Peppers Lonely Hearts Club Band
Magical Mystery Tour
The Beatles (better know as the "White Album"**
Mono Masters.
*= Known to Canadians as Beatlemania with the beatles, the first album issued in North America.
** not issued in mono in Canada and the States, ever.

This set slots nicely into my collection replacing a number of copies whose sound I wasn't so happy with and enabled me to remove a couple of albums whose contents are now totally replicated in better sound, generally tidying matters up.

The Byrds and Roxy Music box sets

Anyone who knows anything at all about me knows I've always loved the Byrds one of the most important American rock groups of the 60's and beyond not just for the individual talents within  the group in its differing lineups but the fact they got to what was new and hip before anyone else did, pioneering whole new musical genres such as Country-Rock that lead us to The Eagles and Poco.

 
I grew up on the UK import History of the Byrds double compilation lp which for its time give a well rounded assessment of their abilities and not a few hard to find vital 45's such as Lady Friend although in time I bought a number of studio albums plus the good if slightly flawed Original singles masters lps issued in the UK in 1980 and 1982 respectively supply all the singles with matching b sides.

People remarked on the music I played at high school during that period as it was so different than anything they were familiar with.

Anyway in 1990 I was based in Surrey, just outside of London, when the news broke that a new box set of their work freshly remastered and even remixed in parts was coming out October 19th on CBS over here (the US edition was on Columbia)  which appealed not least because some of the  early Byrds cds although having the original mixes didn't sound so hot in this new format.

The set also content 6 new recordings made that year showcasing their talent even now.

I remember saving up for it, intending to buy it in a store in Kingston Upon Thames only to find some so and so had stolen all my money so as I was short on funds for meeting my other obligations, I never got around to getting it.

 
I bought all the remastered individual cds from 1996 and 1997 that were issued  featuring many bonus tracks but still hankered for this attractively packaged set

Each disc is titled with its own cover art and there remains a good number of alternate mixes and material not carried over to the "There Is a Season" box set of a few years ago.

 
Fortunately I was able to track down an as new US copy used for a cheap price from a Amazon vendor which should be here in a minute.
I'm really looking forward to finally getting it.
Tracklist:

We Have Ignition 1. Mr Tambourine Man 2. I'll Feel A Whole Lot Better 3. Chimes Of Freedom 4. She Has A Way 5. All I Really Want To Do 6. Spanish Harlem Incident 7. The Bells Of Rhymney 8. It's All Over Now, Baby Blue 9. She Don't Care About Time 10. Turn Turn Turn 11. It Won't Be Wrong 12. Lay Down Your Weary Tune 13. He Was A Friend Of Mine 14. The World Turns All Around Her 15. The Day Walk (Never Before) 16. The Times They Are A-Changin' 17. 5D (Fifth Dimension) 18. I Know My Rider 19. Eight Miles High 20. Why 21. Psychodrama city 22. I See You 23. Hey Joe Cruising Altitude 24. Mr Spaceman 25. John Riley 26. Roll Over Beethoven 27. So You Want To Be A Rock 'N' Roll Star 28. Have You Seen Her Face 29. My Back Pages 30 Tim Between 31. It Happens Each Day 32. Renaissance Fair 33. Everybody's Been Burned 34. The Girl With No Name 35. Triad 36. Lady Friend 37. Old John Robertson 38. Goin' Back 39. Draft Morning 40. Wasn't Born To Follow 41. Dolphin's Smile 42. Reputation 43. You Ain't Going Nowhere 44. The Christian Life 45. I Am A Pilgrim 46. Pretty Boy Floyd 47. You Don't Miss Your Water Full Throttle: 48. Hickory Wind 49. Nothing Was Delivered 50. One Hundred Years From Now 51. Pretty Polly 52. Lazy Days 53. This Wheels On Fire 54. Nashville West 55. Old Blue 56. Drug Store Truck Drivin' Man 57. Bad Night At The Whiskey 58. Lay Lady Lay 59. Mae Jean Goes To Hollywood 60. Ballad Of Easy Rider 61. Oil In My Lamp 62. Jesus Is Just Alright 63. Way Beyond The Sun 64. Tulsa County 65. Deportee 66. Lover Of The Bayou 67. Willin' 68. Black Mountain Rag 69. Positively 4th Street Final Approach: 70. Chestnut Mare 71. Just A Season 72. Kathleen's Song 73. Truck Stop Girl 74. Just Like A Woman 75. Stanley's Song 76. Glory Glory 77. I Trust 78. I Wanna Grow Up To Be A Politician 79. Green Apple Quick Step 80. Tiffany Queen 81. Bugler 82. Lazy Waters 83. Farther Along 84. White's Lightning From The 1990 Roy Orbison Tribute: 85. Turn Turn Turn 86. Mr Tambourine Man The Nashville Session: New 1990 Recordings: 87. He Was A Friend Of Mine 88. Paths Of Victory 89. From A Distance 90. Love That Never Dies

Back in 1972, a year I remember well with moving there were a number of  acts that later on you realized were about to break big one of which was David Bowie who released the seminal Ziggy Stardust album that year and there was Roxy Music.

Roxy Music are an English art rock group formed in November 1970 by Bryan Ferry, who became the group's lead vocalist and chief songwriter, and bassist Graham Simpson. The other members are Phil Manzanera (guitar), Andy Mackay (saxophone and oboe) and Paul Thompson (drums and percussion). Former members include Brian Eno (synthesizer and "treatments"), and Eddie Jobson (synthesizer and violin). 

They disbanded in 1983 they reunited early this century releasing live albums but nothing new in the studio.

Roxy Music were one of the first English bands I got into buying their records over the years band one first artists to have their catalogues fully released on cd back in the mid 80's before the Stones or even Beatles and they have been reissued three times with the last set suffering from a very loud screechy sound that lead me toward buying my favourite albums by them on original vinyl.

On Monday August 4th this 10 cd box set came out called The Complete Studio Recordings and I sprung for it although it's different than originally intended probably for cost reasons so here's a few thoughts  on it.

The first thing anyone getting this set has to get over this is it's not the ultimate set with High Resolution audio on dvds and a coffee table book throw in it's more basic than that but by way of compensation is a lot cheaper around the £50 mark. That's not much per cd now is it?

Also unfortunately a background capsule booklet wasn't included which is a shame because it would of helped to set the context of each album (and the singles) release for the casual fan but the packaging is otherwise of a high standard with thick card sleeves and a paper inner to protect the disc.

The card looks durable so shouldn't suffer damage in regular use with a bit of care. The box is sturdy and functional allowing you to slide out the core to retrieve an album for playing when it is on your shelf something I appreciate.

For this set Roxy Music (self titled) loses Virginia Plain which was never part of the original lp and 1979's Manifesto gains for the first time on cd the album versions of Angel Eyes and Dance Away rather than the disco inspired remakes issued originally for the 45's and all are present in the  2cds covering non album singles, b sides and odd mixes.

The mastering for this set is different than the 1999 HDCD discs which remain available new, preserving far the better the difference between the quieter and louder passages so when you listen to a track like Street Life, it doesn't tire your ear and you can tell the difference between tracks with more softer passages and those that don't .

It seems they redid the transfers from original analogue tape which coupled with newer analogue to digital converters results in much smoother sound compared to previous cds.

I've had quite a blast this week playing all these albums back comparing with other versions finding this set to the best sounding yet.

To sum up, it may not be the ultimate set when it comes to features but is a extremely good sounding set, well presented being available at a modest price suitable for either a casual fan as a one stop purchase or for those looking for upgraded sound.

Rod Stewart

If you were around in the 70's you could not of escaped Rod Stewart, the UK singer-songwriter responsible for many of decades top selling records but where do you start if you're not a rabid fan of his given many compilations have been issued in the passing decades most of which had cd re-issues?

At the risk of sounding like boring, I feel his best solo material was recorded for Mercury between 1969 and 1974 taking in such gems as You Wear it Well, Gasoline Alley, Reason To Believe and unforgettably, Maggie Mae.

While some of these albums have been re-issued by specialty labels such as Audio Fidelity and Mobile Fidelity, these discs will be dear to track down regardless of sonic merit  so I'd suggest most would be better of getting new a 3 cd set called "Reason To Believe -The complete Mercury studio recordings" having all the albums and some bonus tracks in a single inexpensive set.

For an overview of his career from the mid 60's to 1990 I feel there's one which is a complete no-brainer  and that's "Storyteller" as it does just that telling the story of Rod's music career over 4 cds that originally came out in 1990 costing a small fortune.

It was recently repackaged but keeping the notes and can be got from Amazon UK for £7.99 shipped. Although a few tracks from the mid 60's were sourced from records, most of this set sounds really good.

I would put this now above "The Story So Far - the best of" a 2 cd set issued by Warner Broa. in the UK in 2003 as Storyteller has more 'classic' Rod while all The Story So Far adds is some remakes and less essential tracks he did with Helicopter Girl even though I bought "Story So Far" on release.

Finally, Rod was an essential part of the Faces who emerged from the Small Faces and you simply have to have a selection of their rootsy bar music that included tracks like Stay With Me and Cindy Incidentally. Although there's a new double cd set due out in October which I hope to get, One that can be got cheaply and is very good is The Best of the Faces (Good boys ...while they're asleep).

Currently available on Rhino and priced at £2.99 on Amazon UK you really cannot go wrong with this single cd retrospective..

The Red Bird, Blue Cat and Leader of the pack edition

The last few weeks have seen me revisiting a few childhood favourites when it comes to popular music.

For instance for a brief period in the mid sixties the Red Bird and Blue cat lables had some of hippest music around from a wide range of artists with a lot of close harmony girl groups such as the Dixie Cups. 

Unfortunately connected with the reasons the label shut down, many of the final mixed down 'master tapes' ended going to various odd bods as payment for debts resulting many later release in both the lp and cd eras suffering.

Recently Real Gone Music out out a cd with 20 tracks called "The Red Bird Girls for the Very first time in STEREO" newly remixed from the session floor tapes in stereo offering a new and much cleaner two channel sound on tracks such as Bessie Banks, Go Now, The AdLibs The Boy from New York City and many more.

One of the most famous groups on the label was the unforgettable Shangri-La's whose dark soap opera in two and a half minutes drama's such as Leader Of The Pack, I Can Never Go Home No More and Past, Present and Future really pushed the enveloped for what could be achieved by soundscapes.

Most of the cds of their hits suffer from poor sound quality but in 2002 England's RPM records redid the good Myrmidoms of Melodrama compilation improving on the sound and finding stereo versions of several tracks including Remember (walking in the sand) and I recently picked up a copy.

As well as regular readers know I've always loved Bobby Vees music and finally picked up the Bobby Vee singles Collection, a the cd set issued by EMI UK in 2006 covering ever a and b side cut for Liberty records by him from the late 50's through 1978 most of which appear in top quality stereo.

It's the best compilation of his material out there I'd have to say being well worth the modest cost Amazon UK are currently charging for it.

Crosby, Stills And Nash on Audio Fidelity

The late 1960's and early 70's is a period where I do remember rather more than many of my contemparies do and I guess for me it involves numerous automotive journeys with the clunking of dads in-car 8 track player and the sometimes downright screwed up track orders of the albums we played and given that is even know how they 'play' in my head, perhaps our generation ought to be compensated by Lear Jet for it!

Crosby Stills and Nash fit that era to a tee and recently Audio Fidelity a small Californian reissue outfit re-issued their first album freshly re-mastered by Steve Hoffman.

Songs like Wooden Ships, Marrekesh Express and Suite: Judy Blue Eyes were always on tape player plus the FM radio and what they've tried to do on this cd is to bring out a more natural bass quality and improve the clarity of the individual instruments on what has to be said is a so-so original recording. 

It works well even if ultimately this album is one you enjoy for the performances and songs some of which like the Graham Nash ones were originally intended for his 'old' group the Hollies during that period when he wanted to write songs with more meaning while the groups record company (EMI) just wanted simplistic pop songs to sell hit 45's instead. 

In Crosby's case he famously fell out with the Byrds as they didn't wish to issue his songs and so Graham Steven Stills and himself formed this 'supergroup'.

Shortly afterwards Neil Young a now celebrated Canadian singer-songwriter joined them for the Deja Vu album which was a good a distillation of the ethos of those 'Woodstock' days as any I can think of from the cover of the Joni Mitchell song of the same name to Almost Cut My Hair, Nash's Our House and my favourite Neil's Country Girl a seemless suite of three songs.

I owned this originally on 8 track and later the casette version during the 'Walkman era'.

Sometime in the mid 1990's ('94 I think) Joe Gastwirt remastered this and pretty much all the C,S,N &Y output for compact disc and these can be got cheaply with decent sound from the likes of Amazon. They are only just a little louder than a specialist remaster and I like his version of this a lot.

In the fall of 2013 Steve Hoffman tackled this, the 1977 album (aka "The Boat") for Audio Fidelity catalogue number AFZ 144, the home of Cathedral and several other fine compositions. Having heard a number on the 2013 reissued box set CSN, my interest was piqued so I bought it. 

The sound is really good on this issue maintaining its analogue warmth and can be recommended 

*Updated 2013 by Tammy*

The Kinks are Well Respected Men!

Well it's almost an annual ritual here that every year as we approach the Christmas season, a expensive box set arrives for me to buy, starve the cat for a few weeks or something a bit like that and this year is no exception.

The Kinks are quite simply one of the most important British groups of the 60's who took R&B, created the heavy metal riff with You Really Got Me and pioneered social comment in popular music with albums like Face To Face as well as The Village Green Preservation Society exploring the British way of life and inspiring countless acts ever since.

Entitled the Kinks In Mono, this set comprises of the seven UK albums of the period plus two discs of mono collectible versions plus a disc with four of their EP recordings on it, housed in a mini lp style sleeve, gatefolded with credits and fresh photographs on the inner folds.

The first three albums -Kinks, Kinda Kinks and The Kinks Kontroversy - are R&B albums with a high number of originals such as Stop Your Sobbing,Tired Of Waiting and Till The End Of The Day leading to the band being adopted by the 'Mods'.

From 1966's Face To Face onward Ray Davis's introspective song writing comes to the for with such classics as Dandy (a massive hit for Herman's Hermits in the States), Sunny Afternoon, David Watts as covered by The Jam, Death of a Clown, the impossibly perfect Waterloo Sunset, Starstruck (from Village Green Preservation Society) and Victoria from 'Arthur'.

The EP disc takes in four UK EP's (Kinksize session, Kinksize Hits, Kwyet Kinks and Dedicated Kinks) with Louie Louie, All Day and All Of The Night, A Well Respected Man, Dedicated Follower of Fashion and Set Me Free while the Mono Kollectables has singles mixes, b sides and the mono Lola and Apeman singles.

The mastering for is very good, a little louder than the early Kinks discs from mid 1980's but with plenty of contrast between the loudest and softest volumes and much improved on the 1998 re-issues with Village Green having a brand new mastering exclusive to this set.

For the money I think it's worth it, lacking a set of Kinks albums on cd.

At the bottom there are some picture one of the discs in the box and another of the book which is like the Pop Annuals Radio Luxembourg and Thank Your Lucky stars had out back then telling the Kinks story.

It's no weighty tomb of knowledge never mind a set of lyrics so you'll go whistle if that's what you want but as a slightly goofy period like introduction to the band it serves well being a fun read.