Hurrah for the circus

There are things you may have and do feel like revisiting such as books you had for an awful long time and today I'm writing about one.

 I think the first thing to said is this was written in 1939 when people did really look forward to seeing a circus with animals and the understanding of how captivity impacts their lives was less understood than today where it is rare to see such an old-fashioned circus because we are that more enlightened. 

This is the second of the three stories centred around Galliano's Circus looking circus life for children where it is Easter and they are all at Westsea although they are due to move on to Liverpool which I'd presume is some way off as it is probably Westsea is either around Somerset or Devon, areas popular for holidays in the UK.

The story is told through the eyes of Jimmy and Lotta circus children where much excitement is caused by the arrival of tigers to join the circus who are kept in a double locked cage.

Jimmy is very much in awe of the tigers and is determined to snuck into them and befriend them from what he sees as their ill treatment while being trained by Fric and his father which he does learning to control them by body language and words.

In some ways this is a high point of the book because in modern english he's being like a 'horse whisperer' gaining their trust and co-operation without the use of whips and shouting at them.

The friendship between Jimmy and Lotta is under threat of being torn about by Fric, the tiger keepers son and helping hand who is spiteful and not averse to telling lies  which given it is 1939 would be said to benefit from a smack.

Just as they are able to patch up their friendship, Jimmy's beloved dog, Lucky suddenly goes missing that leads to Lotta going out on a daring mission to rescue him who had been dyed after being sold for five pounds by Fric to a crooked, shady circus man called Mr. Cyrano to use. 

She does this by getting her curly hair cut, buying a shirt and pair of boy shorts and impersonates a  boy to confuse everyone so she's able to rescue Lucky.

As a reward Mr Galliano gets her a black pony that she calls Black Beauty after the Anna Sewell novel no doubt that she learns to ride and perform circus tricks with that are incorporated into their Liverpool show.

Just as everything seems to be going so well Lotta discovers Lal, her mother is ill in hospital in Europe where they've been performing with horses and dogs and The little girl's father, Laddo, may have to go away to another circus because he needs a partner in his act.

As is often the case in Enid Blyton's writing she leaves how this pans out until the next book but we are left pondering just what will happen to Lotta and if she might have to leave this circus and everybody including Jimmy for another.

It's very much a rip-roaring tale that I enjoyed re-reading from my original 1973 Deans hardback edition even if today much of the background to the plot simply would no longer be permitted. 

Reflections on the death of David Cassidy

It was announced to-day, the child actor and singer, David Cassidy died from complications following hospitalization late last weekend

He played the role of Keith Partridge  a teen boy of the touring headed by their Mother who was played by Shirley Jones in the must see tv series of the early 1970's that we all watched and talked about as juniors back then. Indeed I had to go visit friends as we weren't allowed at home to watch commercial tv in order to see the show on the pretext it was a play date.

The series was massive in North America and given its construct being but a few years on from The Monkees, the series gave birth to hit 45's and albums which are still adored by many of our generation as terrific pop songs.

David left the show pursuing a career in popular music having a good number of hit 45's and albums of which this, Daydreamer from the Dreams Are Nuthin' More Than Wishes album was a favourite of mine from 1973

Like a number of artists of this era following a change in music tastes he took time out before resuming in 1985 with the  Romance album  issued by Arista and resuming concert tours. It was sad he had to give up performing in 2014 due to dementia.

David was a part of our lives as kids back then the adorable boy next door who could sing and act whose life we followed in Jackie magazine and elsewhere.

Let's be glad for what he gave us and for the opportunities he was able to take advantage of furthering his craft.
Rest in peace, David.

Tchaikovsky on sacd and some

This months entry on the collection of new Super Audio cd's abbreviated to sacd is a bit different to the first two in that they all have one thing in common.

One of the first composers I encountered was Tchaikovsky when I was a child so it wasn't so long that on record I did buy a few recordings which in time made their way to compact discs with the last major addition being the adding of the Andre Previn set of the complete ballet scores on EMI that I used to borrow on record.

One thing I had decided early on was in so far as new recordings went the priority was going to those in Super Audio cd and a good modern set of his symphonies  was the first .

 The first three symphonies are it has to be said something of a challenge to play in way that makes much sense of the score as in all honesty Tchaikovsky was very much feeling his way composition-wise but Valery Gergiev's interpretation does bring more out of these than many as much as I like my original disc on DG of Claudio Abbado's recording of the second coupled with the fourth. I also managed to get this two sacd set for £7.99 which was a absolute bargain!

 I was raised very much on Herbert von Karajan's recordings of the Fifth symphony firstly in mono with the Philharmonia Orchestra and then his 1960's stereo for DG but wanted something more modern and this just fits the bill being in similar style and highly acclaimed. 

I have a recording of Tchaikovsky's Violin Concerto coupled with Mendelssohn's by Nathaniel Milstein but this one by the much talked about Julia Fisher is one recent recording many feel brings more from it from a slightly different edition of the score.

 This recent recording combines one work I lacked but did like, the Souvenir de Florence with an arresting very well recorded account of the Serenade for Strings, one of the most well known string compositions.

 In 1996 I bought a most remarkable recording of Tchaikovsky's Piano Concerto by a young Manchester pianist called Ronan O'Hora which part of the Royal Philharmonic Orchestra's very on collection of complete works from the NOW shop in Stoke on Trent.

Like most of that series it was recorded at a higher than regular cd standard and altered to fit regular cd but in 2005 it was issued on Super Audio cd and the above sacd is that version which I bought for this upgrading of my music collection to this format.

In addition to a previous regular cd addition of such familiar tunes as the March Slav, the 1812 Overture etc on Tchaikovsky Festival on Naxos effectively replaced technically so-so recordings I had previously, this has now given me a pretty decent sounding set of recordings of his music.

Maturing Tammy

 

One of the things I do struggle with is face to face interaction not least opening up a conversation with people cos I get so super nervous I just freeze over or not have the conversation I had intended in my head.

So it was actually pretty good I managed to start one with my second best friend this weekend talking to her about her life, her studying animation while listening and even making eye contact with is something I've had feedback on before now as I find that...so oppressive ordinarily.

Like I can recall this being brought up in a staff review looking at client interaction several years back in what was generally a excellent review as a potential barrier to communication.

I also found the work I have being doing over the last five weeks or so on putting together a PT routine for me paid of well but with unlike last time being able to get across the from the rail station to a bus interchange without getting out of breath propelling my wheeled suitcase and bags and also while i have difficulty with steps and uneven surfaces I was able to keep up with the group as we walked through woodland and canal tow paths for a good mile or so to where we were eating without breaking out into a deep sweat or struggling at the back.

That for me is really good going. 

The weekend went very well overall like  I mean no one found good reason to spank me which is reassuring cos it never was a role playing or sensual game thing with me and more to the point the people I'm with not least those in 'grown up' capacities to me  truly understand and ensure my my vulnerabilities are never taken advantage of. 

When that gap is what it is sometimes I do feel it was so much more easier when I was in my teens cos at least those very same issues and needs would be protected and moreover nobody would 'assume' I had a developmental level I don't whereas now they do because they are working with adult norms which just don't apply. So in a way I'm very fortunate they meet my needs and respect my limits, saying that to one made me tearful to tell you the truth.

I also did co-operate fully, helping out with preparing the evening meal two other guests consumed on the Friday and baking the sponge cake for the Party without a murmur of discontent even when I had to make another sponge as one of my haves didn't quite take in the oven.

Changing my attitudes around looking after my needs and also contributing, being expected  help out has not been easy given my past but with a lot of encourage to help and the preparedness of people to strictly discipline me over it, I am starting to develop more of a sense of self discipline to help me be more mature in that way even with the oh so real limitations in other respects.

I did great this weekend.

Working on presentation

 

Not much left of the old year now with halloween and that gone and temperatures dropping a little which you notice if you are out a fair bit as I am, working on my fitness which has never been exactly great

Somethings don't change though

Feminine sissy gurls really need to embrace soft satin knickers with lace which need not be particularly wide to really take us out of cotton "y front" briefs and everything associated with them especially when we are in skirts and dresses.

Ideally they should be binned.

These are some I wear that also come with a small pretty bow on the waist band.

Age Dysphoria works its way into things with me such as presenting more as junior child than any adult so things that fit into it are clip on ties if dressing more as them at a social function or as a school child is a part of it.

That cuts across both traditional masculine gender presentation with shirts and grey school short trousers as much as pinafore dresses or skirts with blouses.

Aaron Copland redux

For as long as I recall classical music played a major part in my life from handed down records, broadcasts listened to an concerts attended that over the decades has lead to collection of favourites by various composers.

Parts of this have been mentioned on this blog over the years as I moved from buying performances on lp records and cassettes to now standard Compact Disc and High Definition download

Chunks of my collection are in one respect time periods where I picked what I could as my interests were piqued remaining without being reassessed in the light of newer recordings and improved mastering of older ones.

Aaron Copland is one of America's greatest composers, period, someone who had the art of getting a lot in without losing touch with American home spun idioms and relative simplicity.

It was around Nineteen-Ninety that got to hear across a weekday broadcasting slot the majority of his compositions in an excellent BBC Radio Three "This Mornings Composer" series of programs much of which served as my 'template' for collecting recordings of them around that era.

The mainstays in that era were Copland's own recordings for Columbia (now Sony Classical) records that in 1991 were compiled into three cd box sets.

I bought two at the time as they had the bulk of the works I wanted even if the early sixties sound left a little to be desired but that other set sounded poor so I never got it or its content

Following getting the Super Audio Player  I started this process of reassessment as its reproduction of regular cds  exceeded my previous players looking replacing by better sounding and sometimes played versions of which last months Mozart entry was one example.

There precious few recordings of Copland's Clarinet concerto or of Dance Panels and I had formed the view for my purposes, the two Sony Classical boxes I bought in the early nineteen-nineties would benefit from being replaced and this would be a good start point adding two works and replacing my original of 1925's "Music for the Theatre"

Leonard Slatkin is one the best leading conductors and advocates of Copland's music and he recorded for RCA a series of works featuring the St. Louis Symphony Orchestra well compiled of which this adds the not often heard Organ Symphony with Simon Preston and two other symphonies in modern wide ranging digital sound.

Copland mastered the art of writing film music that both didn't get in the way of the screen action and equally wasn't just soundtrack fodder, capable of being appreciated in its own right.

This disc featured the Red Pony, Music for Movies a arrangement of film music in the forms of a suite, Our Town and seldom recorded Prairie Journal (Music for Radio)which was broadcast on the radio.

This disc featured his Third Symphony and Music for a Great City which benefits from a modern recording.

Naxos had an excellent series of discs covering American Composers and I own most of the Samuel Barber titles but this one appealed as these main two works were in the third box I never bought although I've always loved The Tender Land suite written around life on a Southern Farm during the nineteen-thirties, his Piano Concerto and two collections of American Songs originally intended for piano and voice but transcribed here for orchestra and chorus.

I just love singing along to "I Bought Me a Cat".

A batch of Classical Super Audio cds

We are cycling towards the end of the month so I thought I'd post an update on my collection of classical music Super Audio cds which all can be played on regular cd players too.

One thing you have to recognize is because the format is so much capable of more natural sound doesn't mean you'll ditch any or all your existing recordings as there always two elements involved: the performance and the sound.

Ever since the days of the lp record that elusive balance of the two is what as collectors of recordings we've looking for and there exists from those early mono taped performances from the early nineteen-fifties to the turn of this decade many excellent performances that may not be on sacd and some where for technical reasons they may be little point in issuing them.

This said there are increasing numbers of  excellent recordings from the analogue tape era being freshly mastered and new recordings critically acclaimed so you may be able to 'upgrade' which is where we start.

For a good while I had been looking for a great fairly modern recording of Bartok's ground breaking Concerto For Orchestra which I remember well as a handed down Mercury mono lp record when I was in my early teens where I spied this.

It's reissue of the original Quadraphonic (surround sound) lps from the Deutsche Grammophon catalogue of the nineteen-seventies that only got issued in Japan but whose stereo mixes were issued in North America and Europe that were much admired.

 Arriving only toward the end of last week is a acclaimed recording of Schubert's String Quintet in C Major D 956 from 2011 by the much loved Tokyo String Quartet who have performed in North America and Europe.

Schubert's "The Trout" quintet has been a favourite of mine for a long while and recently I bought this excellent modern recording which will go with my regular cd sets of string quartets and symphonies by him.

This one can be filed under 'filling a hole' as in the years of building my classical music collection I hadn't gotten around to getting a complete set of Beethoven's String Quartets and this set of recordings from 2005 through 2008 is one of the best recorded.

I was able to get this 8 sacd set in stone mint condition used for half the regular price which made it quite bargain.

Mozart and I got back a long time, to the period I often borrowed pre-recorded tapes from the municipal library and most of my Mozart collection goes back to around 1991 on cd buying the many discs in the Mozart Masterpieces set.

Included in that was the debut recording of a then 14 year old Anne-Sophie Mutter with the Berlin Philharmonic Orchestra with its then larger than life conductor, Herbert von Karajan of the 3rd and 5th Violin Concertos to which I had added two slightly later recordings on EMI by her of numbers 1, 2 and 4.

This set recorded in 2011 by PentaTone records is widely regarded as one of the finest coming with the very best sound available and even features a dvd where you see Julia rehearsing.
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