Thoughts around learning

 There's nothing quite so stereotypical British as national panics best talked over tea and a common one is around educational standards although it could be argued part of this reflects the debate around learning and retaining facts over looking things up and following a process.

My feelings are more that you do need a knowledge base so you know  8 x 8 is 64 and The Great Fire of London did take place in 1666 so you can both know off the bat if something is 'wrong' and work efficiently. It is hard to progress when you haven't mastered the basics as like a good number of dyslexic people I know only to well which was a reason I ended up resuming studying a while ago.

Much of this chart from a UK national newspaper is familiar in that what I was expected in my class when I was educated strongly aligned with that common during in the 1950's and following reforms, changed.  My feeling is what happened has been less is required to be known and over a longer period which shows up when international comparisons are made.

It's hard to believe that in that time children are less capable of learning even if we are more enlightened around the things that can making learning more harder for some and prepared to assist more.

It may be how we teach that needs to be addressed apart from having the kind of classroom I had when the teacher just walked in with the texts needed, you got up to greet them and from that point on you were expected to sit still and pay attention rather than dealing with messing about with cellphones and the like.

Mozart Masterworks 1991 revisited

In 1991, to mark the 200th anniversary of the death of Mozart, the record label Deutsche  Grammophon at the time one of the leading labels issuing classical music, instituted a 25 compact disc series entitled Mozart Masterpieces that picked what they regarded as the most essential Mozart compositions in performances they regarded as being desirable all in what was a budget price which from recollection was around £5.49 per disc available separately or as a complete set. 

When compact discs first came out typically we paid £12.99 or more  and by around 1987 mid price discs often more generous when it came to content when it came to classical ones came out around the £7.50-7.99 mark so to have all these recordings at a low unit price really was a bargain for someone who only had a few recordings and many of them on tape or record.

There were however a few for various reasons I didn't get such as the recording of Symphonies 40 and 41 by the London Symphony Orchestra conducted by Claudio Abbado that it was generally scarcely skated the surface of what was in the score to which I bought the mid 60's recordings by the Berlin Philharmonic Orchestra  conducted by Karl Bohm instead and there was this one that I had the 1976 Vienna Philharmonic Orchestra recording by Karl Bohm I bought in July 1987 when it came out on the new Deutsche Grammophon "Galleria" series  with the Posthorn Serenade.

I thought it was time to revisit this series that was the core of Mozart collection and track down a copy for the 1960's recordings the Berlin Philharmonic did of this and two other works under the larger than life conductor Herbert von Karajan.

That copy of Bohm's conducting Symphony No.31,40  and 41 on DG "Privilege" was the first I replaced.

Part of the reason was I added the nineties DG "Galleria" of symphonies 25, 29 and 31 was to expand the range of symphony recordings  which did bring about duplication with symphony 31  and this double cd is not only remastered for better sound but adds symphonies 35, 36, 38 and 39 as the original Mozart Masterpieces cd DG 429 802-2 with symphonies 38 and 39 conducted by Herbert von Karajan had gone missing.

This took in his recordings of the late symphonies in their entirety that many hold to be superior to his nineteen eighties digital remakes with the Vienna Philharmonic Orchestra.

I did buy the Melos performed String Quartets disc but I bought later on a 6 cd set of the main String Quartets performed by the Amadeus Quartet at which point this single disc disappeared for some reason or other so I've picked up a replacement so I can enjoy their account of these two works.

This disc played by Pollini was in the set I bought as DG 429 812-2 with a rather generic embossed Mozart head on a piano image using the cd stampers of the mid to late 1980's cd issue but was re-remastered in 2011 in DG's "The Originals" series.

The remaster has given it a smoother less harsh sound that also feels more full and spacious than the original so has replaced it.

As well, it restores the original 1976 lp front cover which is much more attractive as art to look at featuring conductor,pianist and orchestra. 

Also included in the series was Géza Anda's recordings of his Piano Concertos 19 and 26 which for some reason I never bought although I did get a different recording of no 27 than the one in  this cd set which were from a complete series of them that currently are in a 8 cd set that I hope to get at some point being one the finest ever issued.

While the cover on my copy has the label "Privilege" not "Resonance" in the same font) it is from the very same stamper used for it so it is technically identical.

This was the 8 cd set that eventually I bought remastered compared with the early single cd for more firmer sound. It's just a pity copies of the original lp front covers were not included in the booklet.

This series was the first one I followed rather had bought for me, providing an opportunity to replace a number of works I had on much played records and tapes, making available what had in some instances been full price discs cheaply such as the Berlin Philharmonic, Anne-Sophie Mutter recordings of the 3rd and 5th violin  concertos and the first time some recordings previously issued on tape and lp record came out on cd.

Revisiting it, playing some of the original purchases and these others I missed  brings back many happy memories that lead to the establishment of considerable collection of favourite works by many composers on compact disc and its higher quality form, the super audio cd.

As well I did get a complete set of recording of Mozart's violin sonatas that originally came out as separate cds at this time cheaply comprising of excellent all digital recordings to go alongside the collection.

The Best Bat In the School

 Last week I have been reading a book in the St Brides/Maudsley series by Dorita Fairlie Bruce I started earlier on but with a twist.

This isn't a regular 'series' book so much as a compilation of a series of short stories originally published for various Girls Own publications such as yearly annuals she wrote and one which is more of a long short novel which is the main feature  and all involve the characters of we met in the St Brides boarding school  and Maudsley day school although there is sufficient information to make sense of the story if you hadn't.

The main feature, The Best Bat in the School, is set at Maudsley with Nancy, Phyllis, Lois, Charity and the gang and how measures the school adopted to deal with a severe outbreak of Scarlet Fever in the district-placing restrictions on the school girls movements lead  to resent and a girl disobeying them.

The focus of the story is on the cricket match between Maudsley and Larkiston which I'll be honest and say is not a game I have a clue about and the role Lois and Charity have as the girls in charge of making the teams selection.

The issue is Lois saw a girl who go to the theatre breaching the restrictions and feels by putting their own enjoyment over others respect for school rules should be dropped.

What unfolds is the lesson set out by the authoress  around  how a misunderstanding (which girl and why) leads to a condemnation of that particular girl unjustly, how that impacts on the relationships of all the girls bring various people under suspicion and puts into jeopardy the schools honour in the competition which with interventions by Charity working out the actual situation, they do win. 

It is I feel having read it, a very important lesson well told in  this story

Victoria Vixtrix is set at St Brides around a girl who badly needs to win a scholarship to go to University to complete her education when her family are through no fault of their own facing poverty.

We meet again Winifred Arrowsmith, disabled wheelchair user to use modern terms as I was for part of my childhood, crippled by polio, showing clear signs that the more regular, less pitied interaction has developed  into one more sympathetic, just one of the girls

A strength I feel of her work is both her clear understanding of social disadvantage such as poverty, the impact of illness and disability on family welfare and the emphasis on moral education which may perhaps to some today seem a little old-fashioned but one I wholly subscribe to so we better serve ourselves and others.

There is more to us than physical and intellectual abilities and needs. 

The Pinafore dress

The first thing to say in this entry is when looking more at what a sissy gurl such as myself would of sooner worn at school the traditional pinafore dress would of been it.

At one time it would of applied to girls regardless of age but in state schools from the nineteen seventies onwards it was replaced  for seniors by the longer skirt and these days by female cut trousers too so it is seen more as a junior or combined primary school item.

It tended to hang around in private and many a prep school for a lot longer.

Most you see today are not the traditional squared boxed sort but usually scooped at the neck and often with zips rather than the traditional buttons on the shoulder.

Part of the reason it was popular is it is practical giving you good arm movement lacking the restrictions of fully armed garments and good circulation for hot sunny days while being easy to put on.

In view of the shortage of the traditional sort I had Albert Prendergast send me their black traditional one with the length reduced considerably from what seniors would of been expected to that nearer to the old junior version  fitting just above the knee  to show skin between it and my white long socks.

I did get the matching black belt and it has a side pocket.

It's a very good replacement for one I tried which I liked but was a bit small on me and it seems few are in my size from the regular schoolwear suppliers.

It also makes us look more junior  which is a plus in age regressive/dysphoric terms bringing into line mental image and the physical while having pockets which are rare on skirts.

As a jane girl you always wear gym knickers under your dress keeping you boy bits out of harms way and comfortable.
 

Love and understanding in littlespace

 

Reading the commentary box of a adult little comic recently showed some discussion around how as an adult and your caregiver is important.

When a person sets out in their little/middle age regressed to build not so much on being emotionally that person playing but in the return of those structures and relating patterns that more mirror those of child to Parent such as a "Caregiver/little" there can be a difference between your sense of needing and wanting it as that little and being ready emotionally for the 'rolling back' when it comes to having that final say and certain of facets such as what you may be doing or how you are to to present yourself in their company.

This is something that the Caregiver needs to be aware of, talking through respecting limits even if over time they may change not seeing this as a automatic disrespect issue between little and Caregiver and treated accordingly

This is something in a less structured matter of fact way is talked through  between those adults in my life who assume Caregiver roles and myself all the time so they know my limits and I am clear on what we have agreed on.

When in their company I am very much that little/middle and this is my relating style personified not least when there is any question as to my conduct to the as Caregiver(s) very much their 'child' to whom all this happens not just because it is the authentic me but because they love me so much that they enable that side to present and be acted on by them as that child.

As that 'child' they look after me with all those expectations and rules that I stand attentively  deferring to them as my adult authorities as they scold and spank me as they feel appropriate.

Sometimes it is hard for some to understand that actually that allowing me that space to be and present as little/middle me and this other side are connected but actually they are.

Their scolding and spanking me is a reflection their love for me, that they know I can do better and need to be corrected to move me on, the very same love that allows me to be little me.

My spanked bottom is an  a sign of that that we all should be glad of.

Classical Music on sacd

Today we're starting a new series of reviews following installing the Super Audio cd player and you might think I'd just have regular cds but as it happened I already had a few with that higher quality layer present.

When it comes to older pop and rock titles actually I have a good number because they were issued by companies that specialize in making the best possible sounding editions and many of theirs are of the sort that have a layer for super audio cd players and another for regular cd players so buying them is like buying those dual dvd and blu ray editions in that they allow you to move over from the original format to a better quality one at your convenience .

Until a few months back I had only a few classical music Super Audio cds, usually buying the High Definition Naxos downloads as they don't make sacd's instead and playing them over my stereo (on a high quality portable player) but I was keen to start a basic small collection on sacd  by favourite composers not least cos there just is something in holding a disc in your hand.

I do openly admit to enjoying classical music and had music appreciation classes at my boarding school and one composer I do like is Ravel.

This double sacd recorded in 1994 is quite valuable for having a wide selection of his works such as the Mother Goose Suite and Bolero on it, exceptionally well performed by the late Pierre Boulez and the Berlin Philharmonic in both stereo and also surround sound for those who have player that can output it. The reproduction is simply outstanding.

An enterprising company has lead the way releasing classical super audio cd's is Pentatone Records which as the name suggests are interested a lot in surround sound discs too as the sacd format often allows space for both stereo and multichannel versions.

They have been doing for a period reissues of recordings from the 1970's and early 1980's  from the Philips and Deutsche Grammophon catalogues in this form and it is fair to say I loved the recordings usually on Deutsche Grammophon made by the Boston Symphony Orchestra during that era often having the record or cassette versions.

 While I make no bones about my preferred version on cd of Stravinsky's The Rite of Spring being the Claudio Abbado recording conducting the London Symphony Orchestra coupled with a good version of the Firebird suite, this recording from 1972 has an opulence that is lacking in that cd with fuller sounding transfer of the analogue tapes.

The rendition of the "King of the Stars" which is the second piece (I'm used to the French titles but am using English to aid accessibility) is exquisite in its choral moments sang by the Men's chorus of  the New England Conservatory choir.  It replicates the original lp but like most of their discs can be had for around £9 to £10 is good value for money.

In 1974, Seija Ozawa recorded a four lp set of the entire Ravel orchestral output, later issued as a three and then a budget two long playing cd set which doesn't quite equal the sound on record in 1993, but Pentatone have issued a new stereo/quadrophonic transfer of just over one and half lps worth of that original set sounding much more fuller and open that takes in Le tombeau de Couperin, Menuet antique and Valse nobels et sentimentale which runs to about 76 minutes.

As a fan of the originals-they were my introduction to Ravel as a child- these sound just fantastic in their new Super Audio cd form.

I also got a disc performed by the Boston Symphony Chamber Players of three Debussy's Sonata's which was the first Quadraphonic (four channel surround sound) recording Deutsche Grammophon made which remains a first class performance.

 I was very taken with this work by Berlioz around the age of 12 and 13 which my therapist discussed with me while I was under him at the time and so finding a really good version that matches a need for 'hifi' (wide difference between loud and soft sounds, good reproduction of low and high frequencies) and the ability on the part of the performers to summon up the darkness of the Witches Sabbath with its shrieking torment of the artist in death has been a life long challenge having gotten through many a version.

This recording from 1974 was a favourite of mine but the cd versions sounded muddy until Pentatone mastered this direct from the original tapes and managed to restore the very wide dynamic range and inner clarity that easily makes this the best overall bet with its rich atmospheric feel.